We're going to sundance!

We're going to sundance!

TAGA is a horror proof of concept short film, with the feature script in development. Please get in touch for more information.

TAGA is an Official Selection at the 2026 Sundance Film Festival, in the Midnight Shorts block. For more info and tickets:

taga

When Western eco-volunteers scorn the customs of a remote Kalinga village, an ancient evil comes knocking.

Synopsis

Vivi, a curious Filipina-American travels to the motherland to reconnect with her roots, but becomes enmeshed with a group of self-righteous western volunteers hellbent on saving an eco-reserve. When the overzealous volunteers clash with the locals, and mock indigenous customs, they risk falling prey to a vengeful monster foretold in the folklore they scorned.

Film stills

Screenings

Park City, UT
United States
January 25, 2026
Official Selection

Midnight Short Film Program


Whistler Film Festival

Whistler
Canada
December 4, 2025
International Premiere
Official Selection


Filmquest

Provo, UT
United States
October 31, 2025
Utah Premiere

* WINNER OF THE MINERVA AWARD *


Hawai’i International Film Festival 

Honolulu, HI
United States
October 17, 2025
Pacific Premiere
Official Selection


San Diego Filipino Film Festival

San Diego, CA
United States
October 10, 2025

* WINNER OF THE AUDIENCE AWARD - BEST OPENING NIGHT FILM *


Cinema Sala x Amazon 

Culver City, CA
United States
October 1, 2025


FilAm Creative Film Festival

Los Angeles
United States
September 27, 2025

* WINNER BEST SHORT FILM AWARD *


HorrOrigins

Tuscon, Arizona
United States
September 27, 2025
Official Selection


Catalina Film Festival

Avalon
United States
September 25, 2025

* WINNER WES CRAVEN AWARD BEST HORROR / THRILLER *


Gig Harbor Film Festival

Gig Harbor
United States
September 27, 2025
Official Selection


Hollyshorts Film Festival

TLC Chinese Theatre
Los Angeles
United States
August 9, 2025

World Premiere


cape julia S. Gouw special screening

Santa Monica, California
United States
Julia S. Gouw Short Film Challenge Grant Winner

MAIN CAST

  • Kim Adis

    Kim Adis

    VIVI

    Kim Adis is a British-Filipino actress whose work spans film and television, bringing depth and versatility to a range of roles. Born in Cebu City, Philippines, and raised in northern England, Kim has built a dynamic international career. 

    Kim’s film credits include Falling (2024), Shadow Land (2024), and The Turning (2020). On television, Kim has had notable roles in series such as Foundation (2021), Young Wallander (2022), The Witcher: Blood Origin (2022), and Get Even (2020), showcasing her range across genres and formats. 

    Kim’s performances are marked by emotional nuance, strong screen presence, and a commitment to character authenticity, and she continues to build a diverse body of work in both British and international productions.

  • Lisa 'Jacq' Starrett

    JESS

    Jacq (Lisa Jacqueline Starrett) is an actor, trauma psychologist, and mental health coordinator whose work bridges performance and emotional insight. Jacq appears in Taga (2025) and has a wide range of film and television credits, including Get Away (2023), The Trophy (2020), and appearances on The Bold and the Beautiful and numerous shorts and independent projects that showcase their versatility and dedication to meaningful storytelling. 

    In addition to acting, Jacq is active behind the scenes as a Mental Health Coordinator on film and television, supporting thoughtful portrayals of trauma and wellbeing. They serve on the board of the Association of Mental Health Coordinators and are Chief Operating Officer of Project Contrast, a nonprofit dedicated to supporting and amplifying LGBTQ+ youth. 

    Jacq’s work is marked by empathy, authenticity, and a commitment to stories that resonate on both emotional and cultural levels.

  • Ian S. Peterson

    Kai / The Monster

    Ian S. Peterson is an award-winning Artist from Silicon Valley California. He has been performing since the age of seven after picking up various performing skills such as card magic, juggling, and unicycling. While growing up in The Bay he was fortunate enough to participate in over 50 productions across the peninsula. He was immediately drawn to improv and as president of his ITS drama club, directed/performed for various improv troupes throughout his education. After auditioning and then being accepted into multiple BFA Acting programs, he was thrilled to join the California Institute of the Arts' Class of 2022 BFA acting program. As of 2024, he works professionally as a Film/TV/Commercial actor in Los Angeles. SAG-Eligible. Since entering the industry in 2020 Ian has accumulated over 1000 days on sets of all sizes, both union and non-union. Commercially his credits include working for Google, Meta, Vogue, Microsoft, Samsung, Pepsi, Netflix, Makita, Adult Swim, and many more. Ian is also a professional DP and Gaffer. He was recently nominated at Cannes Shorts for Best Cinematography. Aside from performing, Ian is a USCG Captain and enjoys sailing, making films, fitness, riding the unicycle, singing, playing the piano, computer graphic design, web design, and improv/sketch comedy.

  • Bong Cabrera

    DUMA

    Bong Cabrera is an award-winning film and theater actor from the Philippines. He is an Asian Cultural Council Fellow in 2010, which brought him to New York to do advanced acting studies (Viewpoints, Suzuki, Meisner, Alexander Technique, Awakening your True Voice, Improv, etc.) and observe Theater Companies (Ma-yi, SITI Company, Universes, Lamama, Public Theater,etc.) and Universities like YALE SCHOOL Of DRAMA. He also won acting awards from the Accolade Global Film Competition and URDUJA Film Festival (Best New Actor) for the film “The Sun Behind You”, Cine Filipino Festival (Best Supporting Actor) for the film “The Guerilla is a Poet”, Cinema One Originals Film Festival (Best Actor) for the film “Sa Ilalim ng Tulay” (Under the Bridge), and from GAWAD BUHAY (PHILSTAGE AWARDS) (Best Supporting Actor) for the play “The Coup”. He is one of the lead actors in the film “Leonor Will Never Die” playing RUDIE which won a Jury Prize at the WORLD CINEMA COMPETITION OF SUNDANCE FILM FESTIVAL 2022, Amplfied Voices Award at the Toronto International Film Festival 2022, and other festivals around the world. Internationally, he performed in Berlin, Tokyo, Shanghai, Nagoya, Singapore, and New York. In between working and filming projects, and collaborating with his theater company, KOLAB CO., he also teaches theater classes at De La Salle College of Saint Benilde, and the Philippine High School for the Arts. Recently he’s been helping friends with casting actors in their projects, so when an international project asked him to become a casting director, he accepted the challenge and took this job as one of the jobs among other things he can do as a freelance artist. He’s currently an International Schools Theater Association (ISTA) artist and facilitates Drama workshops in ISTA theater festivals around the globe.

  • Joey Scoma

    RAFA

    Joey sometimes acts when friends or his partner ask him to— and he does an amazing job.

    Joey Scoma is an Emmy nominated editor and all around cinephile. Most recently he edited the feature length documentary on the eccentric new wave band DEVO, which had its world premiered at the Sundance Film Festival. In addition to his ongoing doc projects, Joey has also been an active member of the short-form comedy collective 5secondfilms since its inception in 2008. Their slogan is “wasting your time, but not very much,” so that pretty much sums it up. The end.

meet the team

  • Jill Sachs

    Jill Sachs

    WRITER-DIRECTOR

    Jill Sachs is a mixed Filipina-American writer-director, passionate about using genre to challenge oppressive narratives and amplify the voices of those whose fears and desires are often overlooked. Jill earned her MFA in Directing from AFI, and is a recent Finalist of the Disney-AFI Underrepresented Storytellers Initiative and 2023 CAPE Julia Gouw Short Film award. She won 2nd place at the 2024 Screencraft Short competition, with her travel/folk horror, Taga. Her films have won awards at festivals like BendFilm, Cinequest, Mallorca, Filmquest and more. Jill currently works in animation at Psyop, and enjoys backpacking, art and all things spooky.

  • Joyce Liu-Countryman

    PRODUCER

    Joyce Liu-Countryman is a producer of color whose slate centers intersectional and underrepresented identities. She was a 2023 Film Independent Project Involve Creative Executive Fellow and LA Media Fund Fellowship recipient. Joyce holds an MFA in producing from the AFI Conservatory and an MS in clinical psychology from the University of Wisconsin, Madison where she first shared a stage with her now partner on their production services company, Eat With Me Productions. Their award-winning feature, EAT WITH ME, premiered at the Los Angeles Film Festival, screened at over 40 festivals across the globe and streams on Peacock. Her dark comedy short with Margaret Cho, A FAMILY GUIDE TO HUNTING, premiered at the 2024 Tribeca Film Festival. Her work as an Associate Producer includes the Emmy-nominated THE GREATEST NIGHT IN POP and TEMPLE OF FILM: 100 YEARS OF THE EGYPTIAN THEATER.

  • Louise Barretto

    PRODUCER

    Growing up, Louise Barretto has always had a passion for intimate stories that connect viscerally. Like in well crafted coming-of-age stories, it’s like you discover a part of yourself as you experience what the characters go through. Before moving to Los Angeles, she has worked as a TV producer for MTV Philippines' weekly show Timeout. She co-produced No Vows, No Cows, which is a Film Independent Project Involve 2022 short. As a producer, she is in post production on a proof-of-concept short titled Family Guide to Hunting starring Margaret Cho, Kahyun Kim and Keong Sim. She has produced music videos for Iggy Azalea, Aidan Bissett, Elle E.D. Working across mediums, she’s produced magazine covers for Wonderland, Harper's Bazaar, Glamour, The Wrap and has worked with talent such as Christina Aguilera, Saweetie, Kim Petras, Keiynan Lonsdale. She is also the Production Director for ABOOKOF Magazine.

  • Kristine De Leon

    PRODUCER

    Kristine de Leon is a Manila based Producer, who specializes in international co-productions. She produced RADIKALS, a short film selected for Semaine De la Critique at Cannes 2024, and is currently producing RIA, developed at Festival de Cannes La Résidence. She is a graduate of Busan Asian Film School, and has participated in Produire Au Sud, La Fabrique Cinéma, SGIFF Asian Producers Network, QCFC Eave Marketing Class.

  • Geia De Vera

    CINEMATOGRAPHER

    Geia De Vera, a Quezon City-based cinematographer, is celebrated for her vibrant and meticulous storytelling that highlights women in sports, subcultures, and diasporic narratives. A graduate of Ateneo de Manila University with a Bachelor of Arts in Communication, she earned the Loyola Schools Award for the Arts in Visual Arts: Cinematography in 2023. Her work includes Arvin Belarmino’s Radikals (2024), which premiered at Cannes' 63rd Semaine de La Critique and toured global festivals like Winterthur, Curtocircuíto, and Red Sea. She also shot Jake Muñoz's The Boxer and the Astronaut (2023), which debuted at the VC Film Fest in Los Angeles, and Diana Galang’s The Water We Swim In (2023), an advocacy film for the Active Vista Human Rights Film Festival. Selected as one of 24 fellows for the CHANEL X BIFF Asian Film Academy, De Vera received the ARRI Award for her cinematography on Errands (2024) at the Busan International Film Festival. Currently, she is collaborating on Jill Sachs' folk-horror short Taga and Arvin Belarmino's debut feature RIA, a Cannes La Résidence project and Sorfond Award winner.

  • RYANNE MURCIA

    FIRST ASSISTANT DIRECTOR

    Ryanne Murcia is a Manila-based regional filmmaker with a passion for telling compelling stories from the Philippines. She has directed five short films, including Apasol (Chasing Sun), which competed at Cinemalaya 2015, and Entre Medio del Fin, a Gawad Urian nominee. She is currently developing her debut feature film, The Widow, a Philippine–French co-production.

    Ryanne also works in various key roles in both Filipino and international film productions, including Assistant Director, Casting Director, and Acting Coach. Her recent projects include Radikals (Semaine de la Critique, Cannes 2024), Amoeba(Singapore), She Makes and Unmakes (Germany), and the award-winning Filipino films Women of the Weeping River and John Denver Trending, among others.

    In addition to her filmmaking career, Ryanne serves as Mindanao Representative for the National Committee on Cinema of the National Commission for Culture and the Arts (NCCA). She is also the Festival and Artistic Director of Festival de Cine Paz Mindanao, and a former faculty member at Ateneo de Zamboanga University.

  • Joey Scoma

    EDITOR

    Joey Scoma is an Emmy nominated editor and all around cinephile. Most recently he edited the feature length documentary on the eccentric new wave band DEVO, which had its world premiered at the Sundance Film Festival. In addition to his ongoing doc projects, Joey has also been an active member of the short-form comedy collective 5secondfilms since its inception in 2008. Their slogan is “wasting your time, but not very much,” so that pretty much sums it up. The end.

  • Pothmolita Dou

    SPFX MAKEUP ARTIST

    Pothmolita Dou, widely known as Apple, is an esteemed Cambodian makeup artist. Her contributions to the industry have been recognized through the prestigious Ve Neill Makeup Artist top 5 of Legendary Scholarship, which she received in 2016. With this scholarship, she attended the renowned Cinema Makeup School in Los Angeles, California, where she excelled and earned a diploma in Beauty & Special Effects Makeup. Apple had the privilege of being trained by esteemed Hollywood artists such as Ken Diaz, Leonard Engelman, Don Lanning, and Michael Spatola, which helped hone her skills. She has worked on numerous projects, including movies, commercials, music videos, and photoshoots in both Asia and the United States. Some of her notable works include First They Killed My Father, Hex, Before the Fall, The Forest Whispers, Lisa and Liza. Apple is passionate about inspiring future generations of Cambodian makeup artists to pursue the same career path and to achieve greater success. 

  • Denise Santos

    COMPOSER

    Denise Santos is a 2x Emmy-nominated and 1x Emmy-winning Filipina composer and multi-instrumentalist based in Los Angeles, California. Her music has been heard in a multitude of movies and tv shows, most recently in “Parallel” (VOD), “The Moment: How Sports Changed the World” (BBC Select), “Island of the Sea Wolves” (Netflix), “Eden: Untamed Planet” (BBC America), and “Primates” (PBS), for which she was awarded the 2021 News & Doc Emmy for Outstanding Music Composition. That same year, she was also awarded the ASCAP Foundation Michelle & Dean Kay Award for emerging composers in the LA area, recognizing her body of work and promising career. She trained at Hans Zimmer and Sony/ATV’s Bleeding Fingers Music where she was an in-house composer for many years before going independent in 2022. Largely influenced by alternative, classical, pop, and world music, Denise loves to blend these different genres to create uniquely powerful compositions that help uplift diverse stories, filmmakers, and creators. When not in her studio, Denise loves to host gatherings, watch concerts, go thrifting, and spend quality time with her husband Josh and their dog Biscuit.

  • Roma Regala

    PRODUCTION DESIGNER

    Roma Regala is an accomplished production designer whose work spans narrative features, genre films, and international projects, known for immersive world-building and bold visual storytelling. Their credits include BuyBust (2018), On the Job 2: The Missing 8 (2021), Under Parallel Skies (2024), Fruitcake (2024), The Caretakers (2025), and Taga (2025).

    Roma won the Gawad Urian Award for Best Production Design for BuyBust and has received multiple nominations from Gawad Urian, FAMAS, the Star Awards, and the Young Critics Circle. They also bring extensive television experience, with work on major Filipino series such as Be Careful with My HeartPrincess and I, and My Guitar Princess. Their designs consistently elevate story through richly detailed, emotionally grounded environments.

  • Jac Pequena

    COSTUME DESIGNER

    Jac Pequena is a Costume Designer and Wardrobe Stylist based in Manila, Philippines. With a keen eye for detail and a passion for fashion and art, she brings characters to life through her innovative designs and styling. Jac has worked on various films, advertisements and television projects, showcasing her ability to blend cultural elements with contemporary trends. Some of her previous works include Uninvited, Under Parallel Skies and Friendly Fire. Her work not only enhances visual storytelling but also reflects her commitment to elevating the art of costume design in the industry.

production

We shot the short proof of concept of Taga in the Cordillera Mountains, Luzon in January 2025. We’re currently enjoying our festival run, and working on the feature script.

Thanks to our Fiscal Sponsors, From the Heart Productions, donations are 100% tax deductible, if you pay taxes in the U.S. We can also accept in kind donations, like points or miles to be used for flights to the Philippines. These can also be tax deductible!

Artistic Statement

TAGA, which means ‘From’ in Tagalog, was born out of the existential urge that propels people to seek the truth in far-flung places… and the cultural conflict that such journeys can create.

The story follows Vivi, a ‘third culture’ Filipina-American, who travels to the rural mountains of Luzon hoping to understand the essence of her origins. Unfortunately, she becomes immersed with the wrong group of Western volunteers who have little respect for the indigenous customs. They trample over tradition on their quest to save the world, and must face the monstrous repercussions of their ignorance. 

Like our hero Vivi, I’ve sought out the Motherland on quests to understand my mixed identity. Growing up cloistered in a tiny mountain town in America, far from my mother’s large, boisterous Filipino family, I’ve always felt like an alien, far away from the place where I might make sense. Like many Asian immigrants, my mother fixated on assimilating at all costs, repressing her culture and past for safety. She wanted to protect herself, and me, from being targeted as Other in our white, conservative village, but it didn’t work. We were still Other, just enshrouded by a nebulous gray fog, slowly sinking without a tangible history or culture to hold on to. 

Even as an adult, something of this fog still lurks inside me, a question mark at the soul level. I’ve traveled all over the world trying to disperse it, yet there is something inside that remains unanswerable. When I travel to the Philippines, I want to feel whether my body awakens on a cellular level, to know that somewhere I belong. I want to find some nuggets of the essential culture, something that existed before the waves of armies, traders, Colonial invaders altered everything. But the truth is I am a foreigner. The authenticity and belonging I seek might never be open to me. It might be uttered in an ancient language that my brain has never molded to hear. As a traveler my presence is subtly influencing the very culture I’m seeking, which is also pushing, pulling, and acting on me. And that’s terrifying.

There are a lot of ethical nuances to global travel. It is precious, holy, evil, and inevitable. The perfect playground for Horror. Which brings me to the other inspiration for Taga, an experience that took place elsewhere in the world. After college, I wandered across Africa, backpacking solo overland, in search of authentic experiences. I tried to avoid the places curated for tourists, instead I often ended up volunteering at farms, reserves, and small local organizations. In Madagascar, I found an eco-reserve that on paper seemed perfect - they claimed to work hand in hand with the local indigenous tribe, but the reality on the ground was quite different. A toxic war had formed between the locals and the Europeans who ran the reserve. The westerners demonized the tribe, blamed them for every random thing that went wrong. Because of this treatment, the locals believed the leader of the reserve to be a white warlock, who had brought a curse upon them and the land. As problem after problem escalated the conflict, it seemed as if there was something supernatural drawing both sides into this spiral of darkness and chaos. I was trying to travel gently, with an open-heart, to find family in strangers, a truth apart from the western capitalist mores that poorly answered ‘how best to live’. Now I was trapped, contributing to a neo-colonial cult of ‘western aid’. Afraid that this spiral might end in violence, I ran away. I’ve been trying to understand that experience ever since. How can such pure intentions as wanting to ‘save the world’ and ‘revive a forest lead to such horror?

Taga, the short film/ proof of concept, is a pared down attempt to use horror to begin to talk about the dark side of travel, culture clash, and a certain brand of neo-colonial voluntourism. The supernatural evil has been simplified to a monster born of folklore - inspired by the Filipino door-knocking entity, the Nangangatok. Most horror films about travel tend to demonize ‘the Other’, making the western travelers the heroes and victims of the monstrous strangers. To me the true horror is brought about by the western saviors, imposing their will upon others, ignorant of the stories they wander into, the monsters they create or incite. The indigenous Kalinga Filipinos in Taga are not the antagonists, nor are they the magical shamans who save the foreigners; they are people who have dealt with their demons long before the volunteers arrived. Yet if the travelers are open and perceptive enough, they could learn from the locals, and possibly save themselves from the feasting darkness. Or not. 

visual references

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